
Artist Adelita Husni-Bey presents four recent films, The Reading/La Seduta (2017, 15'33', premièred at the Venice Biennale 2017); 2265 (2015, 12'23''); After the Finish Line (2015, 12'39'') and Postcards from the Desert Island (2011, 22'23''). On the occasion of the screening, the artist proposes a series of participatory exercises with viewers drawn from her research in radical pedagogy and the Theatre of the Oppressed.
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