
Born in Ethiopia and based in Oslo, Belete’s practise is preoccupied with cultural heritage and identity. His process begins with the collection of source materials such as photographs from newspaper articles, letters, recorded conversations and various textiles - most significantly, traditional Ethiopian ceremonial garments, which the artist finds both aesthetically and symbolically interesting with regards to their continued presence in contemporary life. Fragments of these sources are then reassembled and stitched together to create a rich and complex visual landscape infused with the artist’s own personal memories and perspectives. Whilst varying in origin, most of the materials are in some way engaged with Ethiopia’s history, and more specifically, with Italy’s violent, albeit unsuccessful attempts to colonise the country. ‘Most of the time the colonial history has been narrated in a sad way, but I want to colourise it,’ says Belete.
Were you there?
If you went, showed work or poured the wine, leave a memory or a photo and we will add it to this page.
Surprise me